Showing posts with label My First Week's non-major Opus Blog..... Show all posts
Showing posts with label My First Week's non-major Opus Blog..... Show all posts

Wednesday, April 8, 2009

Between Silence and Light

between silence + light

I found the title “between silence and light” to be a bit puzzling for my interpretation of these word prompts. I can think of several points in the 19th century that personify the title, but those were not the examples that I linked with the word prompts for this week. I intentionally chose to not go the obvious route this week and talk about the arts and Crafts movement. If I were talking about the Craft movement the title “Between Silence and light” probably would have fit much better. In the end-I felt that the impressions I took from these prompt words better represented myself and my thinking than trying to feign interest in the arts and crafts movement- so this my Opus.

These words are linked together by the 19th century quest to find another kind of balance- the balance between form and function. Increasing awareness and availability of information to a group of highly intelligent and inquisitive architects made the hugely contrasting styles of the 19th century possible.

public/private

“In the United States, where laissez-faire capitalism controlled business and politics, no direction was given to urban growth. In Europe, however, where governmental and bureaucratic control was more customary, steps were taken to shape urban growth…” (Roth 491).
Roth spends a great deal of time giving statistics on the growth of cities in the nineteenth century. His numbers show that growth of cities was exponential in both Europe and America. I found it interesting that after the above quote-Roth immediately described the dreary state of Paris before the "steps were taken to shape growth," making his above argument seem, at least for a short period of time, contradictory.
1--2
The mid-nineteenth century was a time of transition
and of growth for cities, business and trade. The
ground floors of these residences on Water Street in
Philadelphia, Pa




If you didn't know that these two images came from two different countries- you might assume that the photo on the right came from Paris- It seems as though neither America nor Europe could adequately handle the population boom of the 19th century.


language

Language is the most basic unit of common understanding and communication. If two people understand a common language they should be able to understand each other on at least a word-for-word basis. Sir George Gilbert Scott, an architect and designer of High Victorian Gothic style building sought to send a message that didn’t require the use of words, but drew on the common understanding that experiences create for a people. John Ruskin, architectural critic described, “…external representation of internal function through varied building masses and in expressive use of various building materials in their natural colors…” as one of the primary goals of architecture (Roth 484).

3
The different ways that buildings can portray the function of their interior on the exterior is clear in this photograph. St. Pauls is very clearly a church- then just across the street- The Guaranty Building is a bit of a misnomer!

technique
“While the students at the Ecole des Beaux Arts were taught structural design and construction techniques, design instruction at the Ecole des Beaux Arts focused strongly on plan organization, with a view to the simplest possible circulation into and through the building, as well as on expression of the character of the function being housed.” (Roth 499)

4-5
Ecole des Beaux Arts
Necessary for the development of any fine art is the availability of a good education. Variety of educational resources is as necessary, if not more, to the development of one's individual technique. Art is only heightened by the push and pull that are created by the ego.

craft
“Nearly all these late-nineteenth-century architects had extensive academic training and ready access to huge libraries of photograph, monographs, and illustrated portfolios covering the rich panoply of past architectures. They used an eclectic approach to design, but based on academic knowledge and restraint.” (Roth 506)
It is important for the refinement of a craft that professionals have a healthy interest in historical information and documentation of generations past. While creativity is worth its weight in gold, there is only so much that an artist can do without inspiration.

virtual
Princeton’s wordnet dictionary defines the word “virtual” as “(a): existing in essence or effect though not in actual fact.” Skyscrapers are the virtual Gods of the metropolitan city. Roth quotes Louis H. Sullivan, “to his definition of the modern commercial skyscraper: ‘It must be every inch a proud and soaring thing, rising in sheer exultation that from bottom to top it is a unit without a single dissenting line.” (Roth 509).

------------------------------------------------
1. Photo courtesy of Free Library of Philadelphia. http://www.census.gov/history/www/economic/010887.html

2. photo not cited- found via google through wikimedia.
3. Promotional Photograph for the City of Buffalo- http://www.visitbuffaloniagara.com/visitors/tours/driving.asp
4. Found on Flickr - http://www.flickr.com/photos/28905170@N00/3050137603/
5.Found on Flickr - http://www.flickr.com/photos/28905170@N00/3327787451/

Wednesday, January 28, 2009

Week One






Opus Project- Week One Submission- January 28, 2009
Artifact
An artifact is any item in the environment of a human. Artifacts can be any element of life than can be captured and described. Artifacts are concrete, but should possess elements that are beyond the physical. Artifacts often serve as symbols for societies that may not be obvious from description of their physical appearance.

Story-
A story is the historical portrait painted by the combining of artifacts that make up everyday life. In a story, it is important to consider more than the artifacts. One must be sure to investigate the symbols and meanings that make up the artifact.

Translation
Translation occurs when stories are investigated by people of different backgrounds and interpreted to fit their lives. Translation is useful when societies with different needs from one another are investigating stories. If a designer is to create a building that has “commodity, firmness and delight,” they must consider their needs and look past literal story with a critical eye for elements that can be used to fulfill the definition of “good” architecture.

Multiple Views
Multiple Views of a building show the complete building and are useful when looking at architecture in detail. In class, we discussed the Nautilus shell. We discussed how the shell has: furnishing, material, color and light, time (fourth dimension), sections (3rd dimension) and a meeting of the inside and outside (architecture and design).

Cycle
Cycle, in architecture, refers to the integration of the above four terms to create a self-sustaining process. This concept resonated with me. The earth is the sum of its parts; it is not able to survive without all of the parts working in harmony. As we go through time, we learn to adapt so that the earth’s cycle can stay harmonious. Often we are stuck trying to fix a mess we created, but that is what the concept of cycle is about. We learn from out mistakes and work to correct them for the future.


My Investigative Pictures-
Outside of class I struggled to wrap my brain around the section of reading that discussed the classical orders of columns. Though the book gave a hand drawn example of what each of the five classical orders looks like I still had problems creating the image of each column in my own mind.

http://media.wiley.com/assets/19/02/0-7645-5396-6_0801.jpg
• Roth- pg 30- Three parts of any distinct entablature
• Architrave-Arch beam-the blower section
• Triglyph-stylized beam-ends and Metopes- sculpted infill panels. Alternate in middle section


http://www.cartage.org.lb/en/themes/arts/Architec/MiddleAgesArchitectural/ClassicalArchitecture/ArchitectureGreekTemple/doric.jpg
Roth- pg 30- Doric Column- largest order, 4- 61/2 times the diameter of the column. Shaft rises from the stylobate. Has no base.
• Doric entablature
• Flute- scallops on the shaft of column
• Capital-top of column
o Echinus- outward swelling necking
o Abacus-square slab


http://www.artlex.com/ArtLex/ij/images/ionic_order.jpg
Roth- pg 31- Ionic
• 24 flute shaft
• Entablature 1/5 the height of column
• Architrave of t-3 horizontal surfaces with a middle frieze
• Capital
o Volutes
• Frieze-continuous band of narrative sculpture



http://classicalstudies.files.wordpress.com/2007/08/cor.gif
Roth-Pg31-Corinthian
• Column 10 times the height of its diameter.
• 24 flutes
• Capital is the tallest of the orders with 2-3 concentric bands of outward curling leaves.
• Entablature similar to the Ionic order


• http://www.ontarioarchitecture.com/Queenperth.jpg

• Roth- pg 32- Composite
• Places the volutes of the Ionic capital atop the curled leaves of the Corinthian.